Kateryna Kulishova works across printmaking, tactile mixed-media painting and three-dimensional relief, building layered, deeply textured surfaces that hold the memory of places in flux. Her subjects are landscapes caught mid-transformation — tidal islands, coastal sanctuaries, and shorelines reshaped by geopolitical rupture.
Drawn to how displacement and the cyclical forces of nature shape our sense of belonging, she carries recollections of fragile environments — among them the occupied Ukrainian island of Dzharylhach — into the studio, where discarded plywood, spent coffee grounds and reclaimed dried oil paint are transformed into tangible topographies.
“When war and displacement sever our physical ties to home, landscape becomes an inner sanctuary. I feel committed to representing the shifting nature of these places — the vulnerable stillness of low tide, the engulfing immersion of high — working with humble, reclaimed matter to act as a witness to places rendered unreachable, yet preserved in memory.”
Kateryna's path into art began with two inheritances: her mother's devotion to intricate Hungarian craft, and her father's gift of the wide, open Ukrainian seaside — above all, Dzharylhach Island. As a young woman, hiking through mountainous country alongside a photographer, she learned to read light, texture and the framing of a landscape.
Her route to a full-time practice was anything but linear. After an early career in finance as a senior tax inspector, she gave fourteen years to a heritage and arts charity, working alongside art historians and painters to stage nine exhibitions of Ukrainian artists across London — including one within Westminster Council — using art and heritage to champion Ukrainian identity in the face of invasion and occupation.
When war forced her from Ukraine, Kateryna made a new home in London as a refugee, together with her teenage daughter. In the upheaval, art turned from a passion into a necessity — a sanctuary for holding loss, grief and the disorientation of displacement. Through workshops with Accumulate, a charity supporting people who have experienced homelessness, she built the portfolio that won her a scholarship to study Art & Design at Morley College, London. There her practice found its material language — humble, salvaged elements pressed into service to carry the physical memory of coastlines now beyond reach.
Working between the college studios and her own room in London, Kulishova builds complex, tactile surfaces across printmaking, mixed-media painting and relief. She embeds the natural and the reclaimed directly into the work — salvaged dried oil paint, coastal chalk, sand, ground shell, discarded plywood, waste coffee grounds — until each piece becomes a topography you could almost run a hand across.
Turning loss, childhood memory and heritage into an enduring, physical sanctuary remains the heart of her practice.